9/13/23 Workshop – A Photograph by Sally Mann
Sally Mann
Picnic, 1992
Reflective writing prompt:
Write about a fire that consumes or cleanses.
8/16/23 Workshop – A Poem by Kyle Carrero Lopez
Ode to a Croptop – Kyle Carrerro Lopez
O sliced crêpe;
dress code break;
half- set sun;
slut symbol;
cracked window;
short story;
a whole summer carnival, shrunk.
How I adore your spunk,
your sincere open call for air
on my belly hair.
The little Target® boy
groaning eww as I pass
isn’t worth any ire.
He’s playing with fire,
but his parents lit the torch.
To think such small cloth
sparks grown brains aflame.
Why you in a girl’s top,
the man yells in DC.
I could have cut him one too,
so we’d both feel the breeze.
Reflective writing prompt:
Write about a time you stood out from the crowd.
7/19/23 Workshop – A Poem by Wisława Szymborska
Poetry Reading
To be a boxer, or not to be there
at all. O Muse, where are our teeming crowds?
Twelve people in the room, eight seats to spare
it’s time to start this cultural affair.
Half came inside because it started raining,
the rest are relatives. O Muse.
The women here would love to rant and rave,
but that’s for boxing. Here they must behave.
Dante’s Inferno is ringside nowadays.
Likewise his Paradise. O Muse.
Oh, not to be a boxer but a poet,
one sentenced to hard shelleying for life,
for lack of muscles forced to show the world
the sonnet that may make the high-school reading lists
with luck. O Muse,
O bobtailed angel, Pegasus.
In the first row, a sweet old man’s soft snore:
he dreams his wife’s alive again. What’s more,
she’s making him that tart she used to bake.
Aflame, but carefully-don’t burn his cake!
we start to read. O Muse.
Reflective writing prompt:
Start with “O Muse.”
6/28/23 Workshop – A Poem by Stan Heleva in a Play by Michelle Pauls
Stan Heleva and Michelle Pauls
When We Were Whales* – by Stan Heleva
We knew nothing of the legs we had shed
As we swam in the Peruvian desert
Nor how they had become unnecessary
Not an inkling of immanent return had we, nor again why.
We had only silent ballet, no music
Turning ourselves over in the murky sun
Only to dart in to tear more flesh from our fellows
Our tusks glinting dully, our beards stained with blood.
Our name, Leviathan Melvillei, was unknown to us
And might have remained so for all the good
It has done dead whale or dead poet: we had no tune I repeat
We taught them only to cry in pain; they made of it a song.
*From Michelle Pauls’ Forthcoming play, “It’s Complicated….This Gift of Life.”
Reflective writing prompt:
Write about when we were something else.
6/14/23 Workshop – A Portrait by Faith Ringgold
Faith Ringgold
From “The American People Series”
#9 – The American Dream, 1964
Reflective writing prompt:
Write about both sides.
5/24/23 Workshop – A Poem by Danusha Laméris
Danusha Laméris
The Watch
At night, my husband takes it off,
puts it on the dresser beside his wallet and keys
laying down, for a moment, the accoutrements of manhood.
Sometimes, when he’s not looking, I pick it up
savor the weight, the dark face, ticked with silver
the brown, ostrich leather band with its little goosebumps
raised as the flesh is raised in pleasure.
He had wanted a watch and was pleased when I gave it to him.
And since we’ve been together ten years
it seemed like the occasion for the gift of a watch
a recognition of the intricate achievements
of marriage, its many negotiations and nameless triumphs.
But tonight, when I saw it lying there among
his crumpled receipts and scattered pennies
I thought of my brother’s wife coming home
from the coroner carrying his rings, his watch
in a clear, ziplock bag, and how we sat at the table
and emptied them into our palms,
their slight pressure all that remained of him.
How odd the way a watch keeps going
even after the heart has stopped. My grandfather
was a watchmaker and spent his life in Holland
leaning over a clean, well-lit table, a surgeon of time
attending to the inner workings: spring,
escapement, balance wheel. I can’t take it back,
the way the man I love is already disappearing
into this mechanism of metal and hide,
this accountant of hours
that holds, with such precise indifference
all the minutes of his life.
Reflective Writing Prompt
What drives your internal clock?
5/3/23 Workshop – A Poem From a Book Banned in Florida
Electrons – Lehab Assef Al-Jundi
Atoms within your body
spin.
What seems solid –
knees, nose, hair –
moves swiftly. Particles
orbit each other. Dart like meteors
through vast spaces.
Air about you
made of same.
You take from it
and you give.
Drawing in atoms and molecules
to form
your ever changing image.
Your lips move.
Your tongue speaks your name.
You take it on faith your words will
make sense.
Meaning flows out effortlessly.
Electrons skip like rocks on water
between your solid body
and your electromagnetic thoughts.
You look through a window.
Listen to voices from within and without.
Dazzled by what you perceive,
you wonder about causes and effects.
When a wave of love takes you by surprise,
your eyes well up with tears.
Reflective writing prompt:
Write about what seems solid
4/19/23 Workshop – A Poem by Virginia Drda
Transient – Virginia Drda
Sunlight inhale
day’s heart beating
nature’s time clock
pulsing
fleeting
sunset sigh
splashed through the sky
exhaled twilight
waves goodbye
spring wind whispers
breath in bubbles
bursting blossoms
day’s length doubles
firefly blink
firework gasp
sands
slip
through
midsummer’s grasp
coy striptease
of autumn trees
skeletons
bare
in cinnamon breeze
icy frostlace
frozen fingers
winter’s breathcloud
lightly lingers
floating snowflakes
heaven sent
we too
are transient
Reflective writing prompt:
Write about what does not last.
3/29/23 Workshop – A Work of Sudden Fiction by Sejal Shah
Sejal Shah
From: Curriculum
My friend Anne says use the old frames and wear them. Replace the lenses. I, too, wear glasses; this is one way I know I belong to my family since I don’t really resemble them. They are my mother’s cat-eyeglasses, from the sixties; or maybe it was the seventies. They are broken and I cannot bear to get rid of them. I keep them in the blue-and-white flowered glasses case she always used. I keep them in a wooden box that says Buffalo Baking Powder Company and that I bought one summer, at an antique fair. I was not even twenty-five. What did I know then of the way things break down? Of the way I would and one day did. I want to believe I will wear her glasses one day. I keep thinking about these objects that have no particular use, how I study them: two handkerchief maps of an area now called something else; pale, needlepointed flowers (unframed); spectacles with black and gold rims, a relic signifying forthcoming absence, these glasses of a mother I will lose one day.
Reflective writing prompt:
Write about an object with no particular purpose