11/12/25 Workshop – Purples by Chrissie Anderson Peters

Chrissie Anderson Peters

Purples

There are countless purples. Mine are the purple of the polyester suit someone bought for me when I was three, the one in the professional photo that sat on the big color console TV in my grandparents’ doublewide. The purple of the crayon I used in kindergarten to color a house, only to have the teacher take it away and give me a new piece of paper and a different crayon, explaining to me that no one in Tazewell lived in a purple house, and I needed to draw the real world.

The purple of Hubba Bubba bubble gum, five pieces to a pack and ten packs to a big pack, which was not allowed in middle school but I snuck it into my duffel bag and sold it for twenty-five cents per piece so I had spending money for books. The purple of my middle school bedspread, and the curtains that mom sewed to match just because I loved the color and only partly because it was cheaper than buying the matching curtains, which weren’t available from the friend who sold her the used bedspread. The purple metallic marker that stained that bedspread in sixth grade, the purple I tried to hide from mom, who found it anyway and wouldn’t buy me another bedspread until I left for college, giving me practice learning to live with my mistakes, just the way she had, she said.

The purple of every prom dress I wanted but couldn’t afford, when Mom made me go year after year with some mediocre boy who didn’t even try to hold my imagination. The purple of our senior class colors, the color my classmates and I painted “The Rock” behind our high school on a sunshiny day, all of us posing for a picture to capture ourselves as we thought we would be forever, but never were again.

The purple of my sorority in college. The purple of puffy paint, a long-held obsession; I used to write my Greek letters on anything that wouldn’t run away from me – sweatshirts, t-shirts, and banners. The purple of one sister’s contact lenses, which captivated me at Homecoming and made me dream of one day having purple eyes that would match my purple wardrobe. The purple of my favorite suit in college, my senior year. How I cried when it would no longer fit me, because it was perfect. And then senior year was over, and the real world swallowed me, no matter what I was wearing.

The purple of the wedding dress I dreamed of wearing before I had anyone to marry, but my mother refused, “Do you know what people will say about you if you wear purple in your wedding?” and me wanting to say it didn’t matter, because I knew my own heart. The purple of my permanent eyeliner, tattooed on my upper and lower eyelids by careful hands, tattoos which caused Mamaw Little to take me aside and whisper in my ear that I was going to hell, and I hugged her tight and explained, “If for the tattooed eyelids, then probably for a lot of other things, too,” which bothered her more than the tattoos.

The purple of the roses in my wedding bouquet, which I hadn’t intended to carry because I’m not a flowery girl, but my fiancé kept telling me every bride deserves roses. He bought them for me, so beautiful, and I carried them down the aisle with joy. The purple of my hair which I’ve been wearing for years now, in my 50s, because I make my own decisions these days, like I should have been doing all along.

Reflective Writing Prompt:
Write about a color that is significant to you

10/8/24 Workshop – A Song and Commentary About Going Home

https://youtu.be/dXoez_ffhRc?si=_RBHn3LYG21975fo

Last night I went to sleep in Detroit CityI dreamed about them cotton fields of homeI dreamed about my mother, dear old pappy, sister and brotherAnd I dreamed about the girl who’s been waitin’ for so long
I want to go homeI want to go homeOh, how I want to go home
Home folks think I’m big in Detroit CityFrom the letters that I write they think I’m just fine, yes they doBut by day I make the cars and by night I make the barsIf only they could read between the lines
‘Cause you know I rode a freight train north to Detroit CityAnd after all these years I find I’ve just been wastin’ my timeYou know what I’m gonna do?I’m gonna take my foolish prideGet it on a southbound freight and let it rideI’m gonna go back to the loved onesThe ones I left waiting so far behind
I want to go homeI want to go homeOh, how I want to go home
I want to go homeWhoa, baby I want to go homeOh, how I want to go home
I want to go homeI want to go homeOh, how I want to go home
Reflective writing prompt:
Write about going home.

6/19/25 Workshop – A Poem by Ross Gay

A Poem in which I Try to Express My Glee at the Music My Friend Has Given Me

                  —for Patrick Rosal

Because I must not
get up to throw down in a café in the Midwest,
I hold something like a clownfaced herd
of bareback and winged elephants
stomping in my chest,
I hold a thousand
kites in a field loosed from their tethers
at once, I feel
my skeleton losing track
somewhat of the science I’ve made of tamp,
feel it rising up shriek and groove,
rising up a river guzzling a monsoon,
not to mention the butterflies
of the loins, the hummingbirds
of the loins, the thousand
dromedaries of the loins, oh body
of sunburst, body
of larkspur and honeysuckle and honeysuccor
bloom, body of treetop holler,
oh lightspeed body
of gasp and systole, the mandible’s ramble,
the clavicle swoon, the spine’s
trillion teeth oh, drift
of hip oh, trill of ribs,
oh synaptic clamor and juggernaut
swell oh gutracket
blastoff and sugartongue
syntax oh throb and pulse and rivulet
swing and glottal thing
and kick-start heart and heel-toe heart
ooh ooh ooh a bullfight
where the bull might
take flight and win!

Reflective writing prompt:
Write about a joyful riot.

5/7/25 Workshop – A Poem by Sue Kenney

Ichthyologist Lost by Sue Kenney

For Thomas M.

I remember your teeth, white and straight and large
your thick eyeglasses and your towering tallness.
Your unruly red hair, a stray curl
unfurling as you used your ruler to make
every line perfectly straight.
I remember your notepads filled with detailed sketches,
all of them fish.
You carried your marbled Barclay tomes under your
arm and pushed the bridge of your eyeglass frames up with your
middle finger when you spoke.
Your skin, pale as milk,
your cheeks flushed pink like an old fisherman’s
when the nuns called on you.
But you were no fisherman.
Your eyebrows auburn, arched in intelligent,
interested, incessant, inquisitive innocence.
We went to different high schools you and I,
no reason to stay in touch.
Years later, when they told me what had become of you
at only sixteen,
how your pallid body
still topped with a shock of red,
was found silent and still
at the end of a rope,
I felt the line snap between us,
the pang of loss, never really knowing
what caves and caverns you dwelt in.

 

Published in Intima, A Journal of Narrative Medicine

https://www.theintima.org/ichthyologist-lost-sue-kenney

 

Reflective writing prompt:
Write about someone you once knew well.

4.16.24 Workshop – A Work by Kurt Vonnegut

   From:
     Slaughterhouse Five
                       or
   The Children’s Crusade

Listen:

Billy Pilgrim has come unstuck in time.

Billy has gone to sleep a senile widower and awakened on his wedding day. He has walked through a door in 1955 and come out another one in 1941. He has gone back through that door to find himself in 1963. He has seen his birth and death many times, he says, and pays random visits to all the events in between.

He says.

Billy is spastic in time, has no control over where he is going next, and the trips aren’t necessarily fun. He is in a constant state of stage fright, he says, because he never knows what part of his life he is going to have to act in next.

[Later]

He came slightly unstuck in time, saw the late movie backwards, then forwards again.

It was a movie about American bombers in the Second World War and the gallant men flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which struck the fires, gathered them into cylindrical steel containers, and lifted the containers, and lifted the containers into the bellies of the planes. The containers were storied neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, the German fighters came up again, and made everything and everybody as good as new.

When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them in the ground, to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed.

Reflective writing prompt:
Write about being unstuck in time